An analysis of the character of malvolio in act 2 scene 3 to act 4 scene 2

The spectacle of the servant teasing his superior is precisely what took place on the Twelfth Night holiday see Background Info for more on this holiday. He criticizes the men for being drunk at all hours of the night and for singing so loudly.

Twelfth Night, or What You Will

The disguise utilizes a black gown, the same type of gown that Malvolio had worn earlier. To add unity to the scene, we hear that Malvolio is completely following the instructions in the forged letter. Malvolio begs Sir Topas to test whether or not he is mad by asking him a question.

Twelfth Night

Feste agrees to deliver the letter, but first dallies for a while, teasing Malvolio. Malvolio comes into the room.

Malvolio tries desperately to enlist him as an ally; Sir Topas parries his every attempt, telling him that the dark room he is in is really light as day. Retrieved September 22, Sir Toby retorts that Malvolio is just a steward and should not expect others to follow his strict standards of behavior.

Maria will use that weakness to get her revenge on him for spoiling their fun. The mere fact that he has made no progress in his courtship with Olivia does not surprise us. They locked him in a dark room, and now Maria and Feste prepare to pull a few more pranks on the supercilious, overbearing Malvolio.

Analysis Once again, disguise is used to create comic effect. They themselves will deliver the challenge. But the tipsy Sir Toby and Sir Andrew cheerfully ignore her.

Feste appears, and Sir Andrew compliments the clown on his singing. With this "Sir Topas" leaves Malvolio, who cries out after him. Feste soon joins them, and they are all raucously singing together, when Maria shows up. When they return, Sir Toby is delighted: After making a final threat, this one directed at Maria, Malvolio leaves, warning them all that he will let Olivia know about their behavior.

Andrew once again laments that he needs more money in order to stay in Illyria and continue wooing Olivia. But he confides in Maria that they must find a way out of this prank to avoid irritating Olivia any further.

Sir Topas asks, "[W]hat is the opinion of Pythagoras concerning wild fowl? Meanwhile, Orsino has sent for Feste, who apparently moves back and forth between the houses of Olivia and Orsino.

He is afraid that Olivia might turn him out of the house, and he "cannot pursue with any safety this sport to the upshot. Costume changes and role playing on stage also create another play-within-the-play, drawing attention to the theme of performance. Feste disguises himself as a parson and plans to make a "mercy call" on the "poor mad prisoner.

Cite This Page Choose citation style: Sir Andrew agrees to the plan and goes off to find a pen and some paper, and while he is gone, Sir Toby and Fabian chuckle over the practical joke they have just arranged.

Twelfth Night: Novel Summary: Act 4, Scene 2

This is not the case, however; he will "remain in his darkness" for some time to come.Need help with Act 4, scene 2 in William Shakespeare's Twelfth Night? Check out our revolutionary side-by-side summary and analysis. Scene 3; Scene 4; Scene 5; Act 2; Scene 1; Scene 2; Scene 3; Scene 4; Scene 5; Act 3; Scene 1; Scene 2; Scene 3; Scene 4; Act 4; Scene 1; Scene 2; MALVOLIO following.

VIOLA enters with MALVOLIO following. Character Analysis CHARACTERS ; Important Quotations Explained MAIN IDEAS ; Themes MAIN IDEAS.

Summary. In order to fully appreciate this scene, you should recall that Olivia gave Sir Toby and the household staff orders to take care of Malvolio and the "midsummer madness" that turned him into a grinning zany, tightly cross-gartered, and garbed in.

Act II Analysis: At the beginning of Act II, it is revealed that Viola's twin brother, Sebastian, is indeed alive; and he, also, presumes that his sibling has drowned in the wreck. Scene 1 is written completely in prose, though most Shakespearean scenes of this type, which are meant for narrative advancement, are written in blank verse.

Malvolio enters and berates the group for treating his "lady's house" like an "ale-house" (). Sir Toby retorts that Malvolio is just a steward and should not expect others to follow his strict standards of behavior.

Summary. At Olivia's house, Sir Andrew is becoming angry and frustrated.

He is making absolutely no progress in winning the affections of Olivia; he is convinced that she bestows more favors on "the count's serving man" (Cesario) than she does on Sir Andrew.

An analysis of the character of malvolio in act 2 scene 3 to act 4 scene 2
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